Nameless in the Desert

Flexible casting – 5+ (dozens possible)

Synopsis: Nameless awakens in the desert. He doesn’t know who he is, but he knows he has a desire for greatness — and a sword. He goes gallivanting across the desert, learning how be a hero, defeating a great sand monster, and finally executing an evil king. Even achieving greatness, he is still unhappy, and so he continues to search for answers.

NOTE: This play started as a project for the students of Skybridge Academy. It expanded into a full-length script with an on-their-feet, book-in-hand workshop with Barnyard Theatre. Although intended as a play for teens, the play now occupies a space that overlaps with adult theatre, like a slapstick-laden The Little Prince.

 

 

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Jena Templeton and Matt Fyhrie

NAMELESS in the DESERT

by Briandaniel Oglesby

 

A lonely desert. It’s not quite night. Not quite day. From mist, or is it smoke?, we see the Hollow Creatures. They whisper-hiss and circle the stage, chanting “Fairly foul, desert air.” From their huddled mass, they deliver a prone figure, whom we will call NAMELESS, and who is unconscious. Next to NAMELESS, a sword juts from the ground They circle and circle, then vanish. NAMELESS awakens. He blinks a bit. Coughs.

 

NAMELESS

When I awaken, I remember nothing.

No name. No past.

Where am I?

Sand. Lots of sand. A sandbox. Am I child? Am I crab?

No. A desert. I am desert.

No. Body. Voice. I am human. I am human and I am in a desert.

And I have this feeling, an ache, a hunger, a desire – I am desire.

For what, I don’t know.

Huh. Weird.

Maybe I am asleep? Yes. I am tucked into a warm bed, under a heavy layer of blankets made by an ancestor, lying next to a lover or a stuffed animal.

I’ll pinch myself – and I’ll wake up.

 

NAMELESS tries various ways of waking himself.

They all fail.

 

NAMELESS

FINE THEN! I’m awake.

I am awake and I am in the desert.

And I’m alone.

 

We hear a voice from his memory. It is singing.

It’s singing a lullaby, in fact.

 

VOICE

Rock-a-bye, baby in the treetop

When the wind blows…

The cradle will rock…

And when the bow breaks…

The cradle will fall.

 

NAMELESS

Hello?

 

It’s gone. Maybe it was just the wind.

 

NAMELESS

It’s gone. Was that wind? A spirit? A curse?

No. A memory.

A memory of…. of… not desert.

 

No memory comes to him.

We hear the skittering of a creature. Something is over there.

 

NAMELESS

Are you an enemy? Are you a flesh-eating creature meant to hollow the marrow from my bones?

 

Noise.

 

NAMELESS

I’ll fight you with my teeth! I’ll bite you. Go away!

 

NAMELESS throws a fistful of sand at the sound.

NAMELESS finds a skull and throws it.

NAMELESS finds a sword. He’s about to throw it – but, it’s a sword.

 

NAMELESS

WHO GOES THERE!

 

It’s gone.

 

NAMELESS

I have a sword, apparently.

Hello sword. You seem to hum.

Hmmmmm.

(He grips it. He’s trying it on. Yes, he likes it.)

Hayah!

Hayah!

I’m a knight or something!

With this sword, I’ll be a hero.

I’ll mount glorious steeds studded with chainmail, rescue damsels, slaughter lions and tigers and dragons. I will be known all across the lands.

Parry, thrust, jab, parry, thrust jab.

En guarde. En guarde!

Et tu, brute!

 

DAISY appears. She is on a mission.

She has a flower-covered backpack. Yes, this is a world with both swords and backpacks.

 

DAISY

Stop moving! STOP MOVING!

 

NAMELESS freezes midstride.

 

NAMELESS

Excuse me?

 

DAISY

You tromp around willy-nilly not even noticing the worms that you’re about to carelessly crush.

 

NAMELESS

Worms?

 

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